Last week we received two interesting messages. One was from our friend Atul Shah, London. He recommended to contact New York based artist Ann McCoy who shows her project “Pfaueninsel” at Zero Gallery in Berlin-Kreuzberg until 25th January 08.
Another mail was from Ann McCoy. Two days later we met at Zero Gallery where we also came in contact with Anna Krenz who is responsible for ‘zero projekt’ together with Jacek Slaski.
Ann McCoy’s ancestors were Irish Catholics; she has found her spiritual destination in Jain Dharma. Mahavir’s teachings of Ahimsa - no acceptance of violence in thoughts, speech, and actions – are her guidelines in life. The philosophy of Anekantvada - teaching the multiple aspects of truth - helped her to communicate with her students in New York who could not stand spirituality, “In New York it’s Wall street that counts.” Anekant enabled her to start communication with them, resulting in mutual tolerance and respect. “Peaceful coexistence in a minor key,” Ann remarked smilingly.
According to Ann, many people are afraid of their inner processes, because they are not connected with their Self. There is a dark side in anyone of us, and we only can change it when we know it. According to Ann, Jain Dharma has a long tradition in teaching how to know and then transform the negative aspects of human personality. For many years Ann has been studying the metaphysic tradition of alchemy based on the explorations of famous Swiss psychiatrist C. G. Jung. Her deep interest in transformation is seen in her paintings.
In one of her drawings, she unites a prenatal depiction of Mahavir with one of his allegories - the impact of a drop of dew on a flower, emphasizing the very subtle activities transforming life.
Birds are the only animals able to fly, Ann takes them as a symbol of the divine.
Goddess Aphrodite embodies the universal as well as the erotic aspect of love and stands for positive human relations.
Her critical attitude towards American Realpolitik maintains her view that in America a pre-war mentality prevails whereas in Europe a post-war consciousness has developed. In 2003, she was invited for a performance at Majdanek Museum in Lublin, Poland. For her it is most important is to say NO to violence, wherever and under which aspects it appears. Violence is like a boomerang, it always comes back.
In her view artists should present solutions and not problems. Artists should bring light into the dark; this is their responsibility. Sometimes they do not succeed but it is better to fail than not to try at all.
Reverence for all life and nature is the most important for Ann McCoy.