Some Aspects of Jaina Narrative Literature
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3.0 Digambara’s Canonical Literature
Today a series of works, which are, regarded as authoritative accounts of the doctrine take among Digambaras the position of the lost old canon. These works are distinguished in four groups depending upon the subjects like history, cosmography, philosophy and ethics they deal with. They are as follows:
3.1 Four Anuyogas:
a. Prathamānuyoga, (world history)
b. Caraņānuyoga, (ethics and rituals)
c. Karaņānuyoga (cosmography)
d. Dravyānuyoga. (philosophy)
3.2. The Dŗştivāda (the 12th anga)
This Text consists of parikarma, sūtra, pūrvagata, anuyoga and culikā. Ācāryas Puşpadanta and Bhūtabali (1st or 2nd century AD) composed the Şaţakhandāgama Text on the basis of few Purvas contained in the Dŗştivāda.
The Kaşāyapāhuda is another old Text which is based on the 5th Pūrva of the Dŗştivāda composed by Ācārya Guņadhara (2nd or 3rd century AD). The Dŗştivāda been called an excellent sacred text. According to Śvetāmbara Jainas this anga is completely lost.
Ācārya Dharasena (between 86-156 AD) practicing penance at Girnar imparted them the knowledge of the Pūrvas to Ācāryas Puşpadanta and Bhutabali. They composed the in Śauraseni Prākrta.
From the 2nd to the 6th century AD a number of important commentaries were written on Chakkhandāgama the Şaţkhandāgama, which unfortunately are not available. The most important available commentary is the Dhavala (completed in 816 AD) by Ācārya Vīrasena.
Ācārya Guņadhara, a contemporary of Dharasena (between 86-156 AD), was author of this Text. Yativŗşabha (before 5th century AD) composed Cūrņi on this text. Ācārya Vīrasena started writing the commentary called Jayadhavala on this text but died and his renowned pupil Jinasena completed this commentary in 837 AD.
4.1 Prominent Digambara Ācāryas and their works.
1 | Ācāryas Puşpadanta and Bhūtabali: | The Şaţakhandāgama. In the eighth century Ācārya Vīrasena wrote a tikā on it called Dhavala. |
2 | Ācārya Guņadhara: | The Kaşāyapāhuda |
3 | Ācārya Kundakunda: | Paňcāstikāya, Pravacanasāra, Samayasāra, Niyamasāra, Aşţapāhuda, Bhaktisańgraha and twelve Anupekhās. |
4 | Ācārya Yativŗşabha: | The Tiloyapannatti |
5 | Ācārya Vaţţakera: | The Mulācāra |
6 | Ācārya Śivakoti: | The Bhagavati Ārādhanā |
7 | Swāmi Kārtikeya: | The Kārtikeyanuprekśā |
8 | Ācārya Devasena: | Nayacakra, Ārādhanāsāra, Tattvasāra, Darśanasāra, and Bhāvasańgraha. |
9 | Ācārya Nemicandra: | Gommatasāra, Trilokasāra, Labdhisāra, Kşapaņasāra, and Dravyasańgraha. |
10 | Ācārya Vasūnandi: | Vasūnandiśrāvakācāra |
4.2 Prominent Śvetāmbara Ācāryas and their works
1 | Ācārya Sayyambhava: | The Dasavaiyāliyya |
2 | Devardhigani Kśamāśramaņa: | The Nandisūtra |
3 | Ācārya Siddhasena: | Sanmatitarka. Both the Digambaras and the Śvetāmbara regard him as their own ācārya. |
4 | Ācārya Bhadrabāhu: | The Author of ten Niryuktis |
5 | Jinabhadragani: | The Jītakalpa and the vişeśyāvaśaka bhāşya |
6 | Ācārya Jinadāsa Mahattara: | The writer of eight Cūrņis |
7 | Ācārya Haribhadra: | Commentaries on the Āvaśyaka, Dasavaikālika, Nandi, Anuyogadvāra, and Prajnāpana. Other works include Sāvagadhamma and the Yogasāra, the Samarāiccakahā and the Dhurtākhyāna. |
8 | Ācārya Hemacandra: | Śabdānuśāsana, Dravyāsrayakāvya, Yogaśāstra, Pramāņamimamsa, etc |
9 | Ācārya Umāswāti: | Tattvārthādhigama Sūtra. Both the Digambaras and the Śvetāmbaras regard him as their own Ācārya. |
10 | UpādhyāyaYaśovijaya: | Anekānta vyavastha, tarkabhāşā, Nayarahasya etc. |
The following are some of the works:The canon is extremely rich in stories and legends of various types. The reports on the prophets, apostles and saints it contains offer a rich material to the later generations for their literary creations. These legends possesses the unique power of interpreting like for us of consoling us and sustaining us. These legends in chaste, lucid and simple languages cooperate with the benign tendencies in human nature and society and well in their efficacious in making man wiser better and happier. They are again and again treated in countless works in poetic beauty. There are numerous biographies of Ŗşabha, Śāntinātha, Arişţanemi, Pārśva, Mahāvīra and other Tirthańkaras which mostly deal with popular theme in the usual schematic way; and they strive to get for the theme new angles only by additions of new episodes, of stories from the earlier births of the hero and his followers.
But the hagiography of Jainas did not restrict itself from the olden times to describing the life and work of the in founders of religion and those persons who were connected with them, either as devotees or as adversaries, but it included a great number of other legendary personalities in the sphere of their observations. 12 world-rulers and 27 heroes are the main personalities of the traditional world- history besides 24 Tirthańkaras. Along with these who appear to be particularly special for Jainas, they also consider heroes known to Hindus, like Bharata, Sagara, Rāma, Lakşmaņa, Rāvaņa, as also Balarāma, Kŗşņa and Jarāsandha.
Jainas have more or less strongly changed the stories of these men and other persons from the epics Rāmāyaņa and Mahābhārata for their purpose; the heroes in these are obviously all pious Jainas and think and act as such. The great number they have come down to us speaks for the strong persons for Jaina reworking and, as we must often say, for distortion of the Brāhmaņic legends.
1 | The Vasudevahiņdi: Sanghadāsagaņi and Dharmadāsagaņi | Apart from the stories of Rāma and Kŗşņa in this work; it also contains tales on various themes, some of which are secular. |
2 | The Samarāiccakahā by Ācārya Haribhadra | This is a rich work in Prākŗta narrative literature, composed around the eighth century in Chittor. |
3 | The Kuvalayamālākahā: by Uddyotanasuri | Composed in Jalore in 779 AD. It is written in both prose and verse. It is also called campu poetry in Prākŗta. |
4 | The Kahārayaņakośa: by Devabhadrasuri (Guņacandra) | Composed in 1101 AD in Barauch. In contains 50 stories in all.. |
5 | The Kumārapālapatibodha: by Somaprabhasuri | Composed this work in 1184 AD and it contains a description of the life of king Kumārapāla of Gujarat. |